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08.15.2011 | by: Meghan

Another Look: Wandawega

Elkhorn, Wisconsin

Sometimes returning to an old favorite is just as exciting as discovering a new spot. At Wandawega, David and Tereasa are perpetually making changes*–from a brand-new boardwalk along the lake to incorporating their latest hauls from the local flea markets. Here, right in line with her new book Found, Flea and Free, a look at Tereasa’s latest and greatest collections displayed around the property.

*In case you missed the post about their new treehouse–the most dramatic and awe-inspiring update of the summer–you should probably check it out.

 

 

07.15.2011 | by: Meghan
Homes to Stay

Stay: Sky Meadow

Livingston Manor, New York


Another country gem in upstate New York: This Catskills barn house is a second home on the owner’s beautiful, sprawling 71-acre property in the tiny hamlet of Willowemoc. The interior is simple country living–wood-clad walls, quilts on beds, fiestaware in the curio–but with all this wooded, rolling land at your disposal and a heated saline pool at your doorstep, what the inside looks like feels pretty secondary. $1,500 a week (nights also available). Rent it at redcottageinc.com.

07.06.2011 | by: Meghan

Visit: The Netherlands


A couple years ago, I was in the Netherlands on assignment for a story about Dutch design. I’ve written here about the Lute Suites and The Lloyd, but really, design is everywhere you look in this country. I’m a gigantic fan of the clever-meets-kooky Dutch design aesthetic, and it was the trip of a lifetime. I got the chance to tour Marcel Wanderss Westerhuis cultural center and studio; meet Marjise Vogelzang at her Rotterdam cafe; visit Maarten Baas’ studio where they were building some fantastic wooden ship and burning furniture; and saw pieces like the Droog bench (at the Droog store) and a one-off porcelain series by Hella Jongerius (at the Frozen Fountain) in person. If you get the chance, GO. Even if you’re not a design junkie, it’s impossible not to be inspired by all that playful creativity, charm and out-there innuendo. And, of course, the gorgeous canals and flower markets! Most of the hotels offer complimentary bikes and almost every restaurant has an outdoor eating area, making it a perfect spot to spend a week in the summer.

06.24.2011 | by: Meghan
Inns & Hotels

Check In: The Prairie by Rachel Ashwell

Round Top, Texas

Rachel Ashwell, otherwise known as the High Priestess of the rustic, super-feminine, petal-pushing brand Shabby Chic, opens a collection of six cottages in Texas called The Prairie. The interiors, of course, are kitted out in her signature aesthetic–chintz, pink striped walls, slip-covered sofas, dainty chandeliers, raw wood. Whether you’re a devotee or not, it’s always fascinating when someone takes that leap. Here, Rachel talks about fulfilling a lifelong dream and her design vision: Marie Antoinette goes to Texas.

Tell us about why you decided to open the Prairie.
Decorating a hotel has been a lifelong dream of mine. My lifestyle places me in hotels of all kinds around the world. The formula I’m always looking for is hard to find: luxury, comfort and the local culture.

Why Texas?
I think I may have been Texan in my previous life. The architecture of  flakey barns, the  sappy country music, the wide open spaces…

What appealed to you about this former ranch?
I had frequented it for eight years, and I knew its treasures and potentials. It’s the perfect size (the perfect number of bedrooms) for me to demonstrate the diversity of my aesthetic and to create a creative and nurturing destination.

Now the fun part: Let’s talk about the décor.
I wanted to find a balance of embracing the Texan aesthetic and Rachel Ashwell shabby chic couture. Comfort and authenticity were my two priorities. We partnered with Farrow and Ball paint and wallpaper for the Meadow Manor. I also sourced some beautiful vintage wallpaper, which we used sparingly in Meadow Manor and the Rangers Lounge.

We updated the bathrooms, refreshed all rooms with fresh paints. We embraced all the original patinas and raw woods (some of which were a darker palate for me). The furnishings, furniture and bedding were a combination of our signature oversized, slip-covered sofas and vintage.

We embraced some classic Texas decorative like an antler chandelier (to which we added some couture lampshades), metal lantern light fittings, corrugated metal walls and ceilings, claw foot tubs.

My overall vision was Marie Antoinette goes to Texas. This gave me the license to combine typical primitive Texas wood with fancy gold carved chairs and sumptuous velvets with poplin florals.

Favorite design elements:
I inherited a few taxidermy items with the property, some deer, moose and elk heads.  While I would never have purchased these, I decided to honor them and gave them floppy vintage floral hats. They have taken on personalities of their own.

We also added the Union Jack flag to our flagpole, that had originally the US and Texan flag. This is a powerful and profound vision for us as we drive down our long gravel driveway.

What do you want guests to experience?
The Prairie has a spiritual creative quality. It inspires writing, daydreaming, conversation. It’s a visual poem.

06.22.2011 | by: Meghan
Inns & Hotels

Check In: The Greenbrier

White Sulphur Springs, West Virginia

Tales of the aesthetic variety from the wallpapered headquarters of Dorothy Draper’s wildest adventure: designtripper correspondent D. Graham Kostic delivers a special report from the legendary Greenbrier Resort, which he visits every summer with his family.

The journey is half the fun when you travel, and there is nothing quite as beautiful as the hike from the Roanoke Virginia airport to White Sulphur Springs. You wind through two national forests, down roads that double back on each other, lots and lots of lawn ornaments and then, finally, you’re on a bit of a highway that is a straight shot to The Greenbrier Resort. It’s right over the border in West Virginia, and a big sign welcomes you to the state: “Welcome to West Virginia, Wild and Wonderful!” And the Greenbrier, which proudly calls itself America’s Resort, is a magical place, indeed. Each stately room is decked out in quintessential Dorothy Draper style: bold floral prints with black and white checkered floors; neon stripes and gaudy chandeliers that you’d turn your nose at anywhere else. The rooms are like little dollhouse rooms with different wallpaper and matching curtains and rugs (one year, i stayed in one with colorful French tulips; another year it was pink peonies; Chinese pottery with flowers). Staring down the main corridor is ballroom after ballroom, all working together in an odd way–a raucous, elevated mash-up of colors, shapes and patterns.

Word of warning: You may want to run home and wallpaper every wall in your house and dig out the loud, heavy curtains your grandma used to have in her sitting room. There is afternoon tea (which I sometimes think is overrated and cliche, but here, it just works) and you have to wear a jacket to dinner. The place is pulsing with life and as you walk down long hallways, the floral wallpaper seems to creep along with you.

Just recently, they renovated the hotel to include a brand new casino and a few extra shops. The design is seamless from old to new. And a new addition is this vibrant, tropical green leafed Carleton Varney-designed wallpaper that encompasses the entire new passage to the casino. It’s insanely over-the-top and every color under the rainbow is represented in the furniture. A giant clam shell shaped fountain is the focal point! But my favorite place is perhaps a long, winding back porch outfitted with rocking chairs that makes for a perfect retreat for a mint julep (which was supposedly invented here!).

Related note: My good friend Meredith, who designs the accessories line Meredith Wendell, grew up very close to the resort. She shoots all of her lookbooks (see here and here) on the property and they really speak to the boldness and design of the place.

06.17.2011 | by: Kelly

Round-up: Pools!

Our favorite pools for the summer. Not a bad way to while away a week, right?

[Photos from top: Castello di Vicarello; Placate de Cazulas; Podere Palazzo]

06.15.2011 | by: Meghan

Do: Ace Camps

Sweden, Canada and more!

I love the idea of using travel to inspire creativity–and taking some time away from regular life to really dive into a creative project. This year, Angela Ritchie’s Ace Camps (not related to Ace Hotels) span an inspired range of destination-based workshops led by creative folks like Pia Jane Bijkerk and Camilla Engman. Australia-based Pia is heading to Vancouver with her camera to do what she does best–”enhancing the everyday; finding beauty in the ordinary; learning to see your surroundings in a new light and being uplifted by the simple things in life”–and Camilla’s bringing the workshop to her studio in Goteborg, Sweden to sketch and paint (and the hotel in Sweden, Hotel Flora, is super adorable). Check out all the Ace Camp summer workshops.

[Photos, from top: Photos of Vancouver by Pia Jane Bijkerk; Pia Jane Bijkerk's book covers; photos from Studio Violet; bottom two photos from Hotel Flora]

06.01.2011 | by: Meghan
Homes to Stay

Stay: The White House

Daylesford, Australia

A Melbourne-based interior decorator and owner of the cult-fave antique shop Empire Village, Lyn Gardener transformed this 1850s brick miners cottage into a dreamy, detail-attuned retreat in Daylesford. A consummate, natural stylist, she mixes vintage and rustic with quirky industrial pieces, and knows when to add a pop–like that handmade wallpaper by Deborah Bowness. French doors open to magical gardens, classic claw foot soaking tubs are for relaxing, and the thoughtful little details, like handmade ticking linen and kitchen cupboards stocked with local goodies, are endless.

Doing some research on the place, I stumbled across a post about the house on Pia Jane Bijkerk’s blog. Turns out, they’re pals (always a good sign). Here’s what Pia has to say about house’s location a short stroll from the center of town: “For those of you who don’t know this area, basically this means it’s in the center of heaven.”

The Details
Prices start around $400 a night for a couple, but there’s a breakdown of nights, rooms and number of people that helps cut the cost. No kids! Rent it at http://empirevintage.com.au/thewhitehousedaylesford

05.27.2011 | by: Meghan

Lens Crafter: Tereasa Surratt

I love to see what people find interesting when they travel–the details they choose to capture: a memory, a well-designed interior, the way the light shines down a busy street at dawn. Here, Tereasa Surratt, owner/decorator of Camp Wandawega (including recently featured treehouse) and design book author (A Very Modest Cottage and about-to-be-released Found, Free & Flea), shares some favorites: a bar in Amsterdam (“I would cut off at least one digit to be back there right now.”); a museum in Brugges last year; and a quick snap of a recent trip to NY.

05.20.2011 | by: Kelly

Round-Up: Hotel Chapels

In honor of the approaching wedding season, three beautiful chapels at hotels.

[Photos from top:  Maison Couturier chapel via Maison Couturier; Ice Hotel Sweden chapel via Wexas.com; Hacienda San Jose chapel via luxuriousmexico.com]

05.09.2011 | by: Meghan

Giveaway: Trip to New Orleans

New Orleans, Louisiana

A finale to our big road trip from Detroit to New Orleans, designtripper teamed up with our generous sponsor Lincoln for an amazing giveaway: a weekend in New Orleans! That means airfare, three nights at Fair Folks and a Goat (or, if you choose, a different hotel of equivalent value), ground transportation and a $500 gift card! And so far, there are less than 100 entries (at the time I’m writing this), so you have really, really good odds. If you haven’t been following our trip, let me assure you: New Orleans is an amazing place to win a trip. Beyond what we’ve already covered, we have tons of other suggestions for places to see, eat, listen to music and hang out, so I promise the winner a designtripper-endorsed itinerary. Enter here!

04.25.2011 | by: Meghan

On the Farm: Folsom

Seven miles west of Marion, Alabama

We pull down Folsom’s long, dusty, tree-lined drive, and the owner of the farm, Charles, greets us at the car window with a shovel in hand. “Welcome!” he shouts over the idling engine. “I was just getting ready to go plant a pomegranate tree.” We learned pretty quickly that he’s always getting ready to embark on some kind of seemingly impossible-sounding project (like bringing back the nearly extinct Long Pine trees or routing a stream and waterfall behind the farmhouse where we’re staying).

Charles is a farmer. And so was his dad. And his uncles. And his grandfather. And four others before that. This same farm has been worked by the same family for seven generations–dating all the way back to the 1819 when William Moore, a wagon maker from South Carolina, came to Alabama just before it came into statehood. He homesteaded 80 acres and went back for the entire family. Eventually, the farm grew to 35,000 acres (which was only broken up between various family members a decade ago). Many farms in the area failed after slavery ended, explains Charles’ wife Jenny, because none of the landowners knew how to run the farms, but Folsom has always been a family-run farm, so it survived. “We call it a plantation, because to me, a plantation is self-sufficient,” says Charles. And although it’s gone through so many changes that it’s hard to keep track (the farm once milled cotton, but “the boll weevils are ferocious.”), they’re still inventing new ways to stay successful and relevant. “You’ve got to be diverse,” says Jenny, who met us at the house and gave us a half-hour history lesson on the surrounding area. These days, they raise hormone-free cattle and sheep, grow timber and are tinkering with organic farming.

And then, there’s the extraordinary 1920s cottage we’ve rented for a night. Decorated with simple farm antiques, paintings of the country life, old family and farm photographs, and vignettes put together with pinecones and branches gathered from the grounds, the house feels like a living record of those who passed through before. “We didn’t buy anything from flea markets or antique stores,” says Charles. “Everything in here came from buildings around the farm.” Long, unfinished wooden floorboards creak, sheep gather right outside the windows, and a big southern porch has worn wicker chairs. Cooper–the youngest of Charles and Jenny’s three grown sons–is a woodworker who manages the former caretaker’s house, including working with nearby RuralStudio, whose students often come out to the farm to draw and study the way these old structures were built.

Built in 1920, it’s the newest structure on the farm with most dating back to the 1830s. If we had more time, I’m sure we’d have received a full oral history presentation on each building. Charles is as good at talking as he is farming. We wander over to a big barn on cement blocks, check in on the animals and peek into the old wooden structures–the log seed house used with the first cotton gin, a carriage house, the smoke house, chicken coop, plantation store, weaving house. It’s like Colonial Williamsburg without any of the sheen. Or explanatory plaques or period costume. Folsom is a real, working farm, where a family still makes a living off the land. They will, however, give you a personal tour if you ask nicely and make arrangements ahead of time. And I can guarantee, it will be more meaningful than anything you can get into with a ticket.

The Details
Starting at $100 a night. If you want to grill out, they’ll have a hunk of hormone-free beef waiting in the fridge when you get there, along with complimentary juice, milk and homemade sausage and cheese spread for breakfast. Cooper makes cutting boards from old fencing around the farm, and there are several in the house to buy. Four bunk beds, a full bed and a pull-out. Two bedrooms, sleeps eight.

On Jenny’s recommendation, we made the trip into the historical town of Marion while we were there. Check out the rest of our photos from the Alabama leg of our road trip at the Designtripper-Lincoln site!

[Disclaimer: Ford Motor Company is the paying sponsor of designtripper's road trip to New Orleans, which also included a Lincoln MKX for the duration of the trip.]
04.22.2011 | by: Meghan

Made in Nashville

Nashville, Tennessee

I knew Nashville would be my kind of town. We’d only been here a half hour when I spotted some guy (not a farmer) walking down the street in overalls. And in less than 15 hours (10 of which were spent sleeping), my obsession with the no-frills, down-home countrified aesthetic I’ve always romanticized from afar has been intensified by two particular stops: Imogene + Willie and Hatch Show Print.

They’re incredibly different. One sells denim, the other posters. But at both places, they still make things–and their honest, hard-working, old-school process is on display right in the shop. And for anyone who’s interested in the design and craft behind the eventual product, it’s like being a sugar-deprived kid in a candy factory. And the interiors! The buzzing sewing machines and colorful thread spools at Imogene + Willie and old wood blocks stacked from floor to ceiling at Hatch Show–it all becomes part of the story. Some of the people who run the sewing machines are also Imogene + Willie denim models, and the wood blocks sitting on shelves made from even older wood blocks that were discarded more than 100 years ago are the same blocks responsible for the greatest concert posters of all time. Hatch Show Print has been making posters for 132 years for musicians like Johnny Cash, Elvis Presley, Dolly Parton, Willie Nelson, Tammy Wynette, Luna, The White Stripes and every other band that lives in or comes through the Music City these days.

I bought a poster for my kitchen at Hatch (“a dash equals 1/4 teaspoon”) and I couldn’t resist a custom pair of jeans at Imogene + Willie (“the Imogene stretch”). I’ve admired photos all over the internet, but in person, this place exceeded my already pre-hyped expectations. Our kids explored every little nook and cranny, and the staff–who were all disarmingly friendly–made instant buddies with them, which made it so much easier to walk around the store, try on jeans and get fitted. (I was horrified, but they laughed and hustled to try to take a photo when my two-year-old picked up an errant power tool). And in the time we walked down the street for a hand-crushed raspberry and lime popsicle at Las Paletes, my jeans had been hemmed, wrapped in brown butcher paper and tied up with a scrap denim ribbon.

For more photos from the road, go to the Lincoln-Designtripper site!

[Disclaimer: Ford Motor Company is the paying sponsor of designtripper's road trip to New Orleans, which also included a Lincoln MKX for the duration of the trip.]
04.21.2011 | by: Meghan

Designtripper Road Trip: Meet the Car

From Detroit to New Orleans

So this is the car–the  MXK Lincoln gave us to take on our big design tour from Detroit to New Orleans. And I’m not saying this because they asked us to (for the record, they didn’t): Best car ever to drive on a road trip. The seats are so big and cushy, it’s kind of like riding a leather cloud down Highway 65. And really, how cool is it that Lincoln is sponsoring this trip? We’re T+3 already and it still feels like a dream. For anyone who’s just joining us, here’s the gist: two design/travel bloggers explore an uncharted design course down one of the most interesting routes in America–and here’s the kicker–with our toddlers in tow! So far, it’s a little outlandish, slightly ridiculous, incredibly inspiring and totally authentic… a true modern-day adventure.

For more photos from the road, go to the Lincoln-Designtripper site!

[Disclaimer: Ford Motor Company is the paying sponsor of designtripper's road trip to New Orleans, which also included a Lincoln MKX for the duration of the trip.]